Tatjana Danneberg’s (*1991, Vienna/Austria, lives and works in Vienna) practice is eventful. It unravels accidentally and it is determined by media and techniques layered upon each other. The starting point is a candid low-fi photography approach, by using cheap automatic cameras, Danneberg extends casual memories of the everyday depicting friends, acquaintances or her partner, in familiar often intimate shots. These shots purposefully reveal moments where action or the lack of it manifests. The protagonists, which identity is often difficult to recognize, are dismissing or defeating reality. The artist is preoccupied with the nature of images and the possibilities that can unfold through their manipulation and deconstruction; a painterly attitude emerges defined by a deepen material and processual experimentation.

Her most recent solo exhibitions include Super Super Markt (two person exhibition), Berlin, (2026); Galeria Dawid Radziszewski, Warsaw (2025, 2024, 2023); MEP - Maison Européenne de la Photographie, Paris (2024); LambdaLambdaLambda, Prishtina (2023); Louis Reed, New York (2022); CFAlive, Milan (with LambdaLambdaLambda) (2022); Salzburger Kunstverein, Salzburg (2021); Galeria Dawid Radziszewski, Warsaw (2020); LA MAISON DE RENDEZ-VOUS, Brussels (2020); LambdaLambdaLambda, Prishtina (2020); FLUCA Pavilion, Plovdiv (2020) and Austrian Cultural Forum, Warsaw (2019).

She participated in group exhibitions such as The Address Gallery, Brescia (2026); Dvir Gallery, Paris (2026); No Name, Paris (2025); Galeria Dawid Radziszewski, Warsaw (2025); Galerie CONRADI, Hamburg (2024); Galerie Noah Klink, Berlin (2024); MadeIn Gallery, Shanghai (2023); Lovay Fine Arts, Geneva (2023);  Berthold Pott, Cologne (2023); RODEO, Piraeus (2022); EVN Collection Garage, Maria Enzersdorf (2022); Galeria Madragoa, Lisboa (2022); Galerie Martin Janda, Vienna (2022); Biennale Zielona Góra, Biennale Zielona Góra (2020); Danube Dialogues “Quo Vadis Homini?”, Contemporary Art Festival, Novi Sad and Petrovaradin (2020); Shivers Only, Chantemanche (2020) and Fondation d’entreprise Ricard, Paris (2018), among others.